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STAGE PORTFOLIO

DIVA THERAPY
by John Mark Lucas
dir. Joan Kane

MAKING MARX
by Clara Francesca
dir. Guy Masterson

photo credit Arron Macnamara Photography et al

Guy Masterson TTI presents in conjunction with Wild Tongues, Clara Francesca’s MAKING MARX
More coming soon https://tickets.edfringe.com/whats-on/making-marx

  • Creative force of director Guy Masterson and Clara Francesca have given us… such beauty captured that it belies the ugliness of trying to negate her spirit… with pace and precision… I was marvelling!” ~ Donald Stewart FRINGE REVIEW
  • “Excellent, thought-provoking play, remarkably performed. Clara acts with amazing intensity and range. Raises questions (at least to me) as to why certain historical figures are taught to posterity and others, for example Jenny Marx, are left on the scrap heap of history.” ~ Jon Foster, Audience Testimonial
  • Absolutely stunning. This is one of the most unique and beautiful shows I’ve seen on the fringe, one I will very much remember. Clara is a breathtaking actress and creator. The show was very intelligent and powerful. It really makes you think and ask questions, and at the same time completely let go of trying to understand everything and let it wash over you. I am very much looking forward to seeing more of her work.” ~ Alice Maghnezi, Audience Testimonial
  • Money talks at the Edinburgh Fringe Reviewer Matthew Partridge
    The best money-themed shows at the Edinburgh Festival: “Neglected female economists and thinkers have found themselves back in the spotlight in recent years, and Making Marx, written and performed by Clara Francesca, is a worthy addition to the genre. Francesca argues that Jenny, Karl Marx’s supposedly “dull and pretty” wife, deserves to be recognised as an important figure in her own right. She supported the author of Das Kapital financially and emotionally, but also served as his editor. Francesca’s intense performance makes a good case for looking at Jenny again, as well as providing a less than complimentary view of a man the show portrays as feckless and self-centred – “…the Victorian equivalent of a hipster”. (Assembly Rooms, Venue 20, 11.35am, ends 25 August).”
    https://moneyweek.com/spending-it/money-talks-at-the-edinburgh-fringe?s=09
  • Fringe Review Reviewer Donald Stewart 2024
    Daring Work!
    “Francesca is in full flow… such superb ability to work with a voiceover whilst matching her response perfectly to the words spoken and attitudes taken by the disembodied voice shows acute skill… There is so much of great value in Making Marx, which is added to by the ability of Francesca to not just interact with it, but also get across the footlights and engage with the audience… the rebellion is marked with pace and precision – would expect no less from either artiste [Francesca & Masterson]. I was marvelling at the originality
    https://fringereview.co.uk/review/edinburgh-fringe/2024/making-marx/
  • British Theatre Guide Reviewer Keith Mckenna 2024
    “Clara Francesca’s bold, imaginative, surreal provocation… You are intrigued”
    https://www.britishtheatreguide.info/reviews/making-marx-assembly-rooms-23582
  • “We… highlighted the brilliance of her performance and clever writing, simplified the title and created Making Marx – the story of the woman and brains behind Karl Marx, without whom, we might not have the ideal of socialism to contrast the corrupt ideals of greedy Capitalism!”
    https://getyourcoatson.com/2024/07/03/edfringe-talk-making-marx/
  • Recommended!
    https://fringereview.co.uk/review/edinburgh-fringe/2019/manifesting-mrs-marx/
  • ★★★★ “This show never pauses in its imaginative, engaging, often disorientating performance. You are never quite sure where it is heading, or what will come next. It never lost my attention for a moment and had me talking to people about it for hours afterwards.”
    https://www.britishtheatreguide.info/reviews/manifesting-mrs-paradise-in-aug-18041

FUNNY GUY
by Patrick Nash
dir. Jesse Tendler

43 STAGES OF GRIEVING
by & dir. Micharne Cloughley
photo credit Mari Eimas-Dietrich

FREEDOM SUMMER
by Toby Armour
dir. Joan Kane

photo credit Jonathan Slaff

BEASTS
by Cayenne Douglass
dir. Kelly Galvin

photo credit Stratton McCrady

METAMORPHOSIS KAFKA TECH
by Clara Francesca and Leo Lion
produced by Phoenix Theatre Ensemble

photo credit lijah schneider

THE WIND IN THE WILLOWS
adapted & dir by Leo Lion

THE SKIN OF OUR TEETH
by Thornton Wilder
dir. Karen Case Cook & Bob Hupp

UNCLE VANYA
translation by Annie Baker
dir. Michael Scholar Jr.

photo credit Michele I. Arazi
photo credit Justin & Christopher Swader

★★★★★
“Clara… is a languidly glamorous Yelena who has the dignity to hold her ground with two insistent suitors… moves the story with ease and a sense of how the characters’ heightened emotions are sparking the estate’s dusty rooms with energy.”
Thoughts on Uncle Vanya Hosted by Medicine Show Posted by Jean Sidden | Dec 12, 2014
https://thefrontrowcenter.com/2014/12/thoughts-on-uncle-vanya-at-columbia-university/

THE CELEBRATION (CHEKHOV)
ensemble devised with Clara Francesca, Broderick Ballantyne, Sophie Traub, Ali Kennedy Scott, Tim Carmello, The Chekhov Vaudevillettes!
THREE SISTERS (CHEKHOV)
directed by Maggie Cino, produced by Obvious Volcano, NYITA: Outstanding Revival of a Play, nominee
“When Chekhov works, it’s magic . . Cino’s production does an admirable job of bringing the audience into this world of the idle rich. The cast’s performances mine the often-overlooked comedy inherent in Chekhov, evoking an Arrested Development circa pre-revolutionary Russia .” – Time Out New York (Three Sisters)

 

MISCELLANEOUS STAGE, POETRY, PUPPETRY AND ART

  • Opera: America’s War Without End July 21, 2017 by Jan Herman
    https://www.artsjournal.com/herman/2017/07/opera-americas-war-without-end.html
    Clara Francesca as the Manipulative CIA Agent
  • Faces of AWNY: Clara Francesca by Australian Women in New York Posted on March 8, 2018
    https://australianwomeninnewyork.org/2018/03/08/faces-of-awny-clara-francesca/
  • https://www.stjohndivine.org/about/blog/1/posts/337/blog-1
    https://www.stjohndivine.org/calendar/50991/halloween-extravaganza
    https://m.youtube.com/watch?v=pWyZp4D6loc
  • Featured on TRU Theatre Resources Unlimited COMMUNITY GATHERING 10/4/2024 – Accruing Fringe Benefits: The Edinburgh Experience and How to Work It. In the room: self-producing artist, actor-writer Clara Francesca (Making Marx at the Fringe, also Diva Therapy, 43 Stages of Grieving, Funny Guy); Chris Grady UK producer, director at CGO Institute, fellow of the Royal Society for the Arts; Molly Morris, producer (Islander, Come from Away) and co-founder of Ghostlight Global; Blair Russell, producer (Lizard Boy at Edinburgh Fringe & Off-Broadway, DIVA: Live From Hell! at Edinburgh Fringe & Off West End, Pop Off, Michelangelo! at Edinburgh Fringe, Slave Play, STILL); Tom Smedes, producer (My Son’s a Queer (But What Can You Do?), current Cabaret revival, Tony winner for Pippin revival, Peter Pan Goes Wrong, The Prom, Peter and the Starcatcher, Next Fall; upcoming: Sunset Boulevard revival). We’ll look at smart ways to approach being in the Edinburgh Fringe, what the costs are, the (perhaps) unexpected challenges, and what the experience is like for an artist; plus the producer’s view on the advantages of using Edinburgh for the development process, and in general how Edinburgh contributes to the life of theater on both sides of the Atlantic.

DIGITAL ART

BUY NFTS
VISIT XRE

iso>XR<lation O:
A(nother) BAD DAY FOR WHITE PEOPLE

iso>XR<lation 1: Leftovers

iso>XR<lation 2: Hashtag FoxNews

iso>XR<lation 3: Turn Of The Century

iso>XR<lation 5: On The Screen

iso>XR<lation 6:
Safety First – Getting Ready For Rehearsing Romeo And Juliet

iso>XR<lation SPECIAL:
Great Republicans

iso>XR<lation 13:
OVER POWERING OYSTER APRIL 2018

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